For a long time, I was intrigued by the idea of cellaring beer. I’ve always tended to like most wines with some cellar time on them, sometimes a substantial amount, so I assumed I would prefer aged beer as well. Experimentation, however, has not borne this out.
Like most things I do, my experimentation was broad-ranging and pretty controlled. I selected likely candidates – barley wines, old ales, lambics, dubbels, quads, etc. – bought fresh beer from quality stores, and let them rest in my cellar (the old coal storage room in my house – below grade, dark, and with a temp. range of 57F to about 62F over the course of a year), and sampled them at regular intervals.
I learned a lot, and don’t at all regret the experiments, but the core principles I picked up were: (1) I prefer most beer, even “age-worthy” beer, fresh by a wide margin; and (2) apart from very hoppy beers, most beers don’t change much over the course of a year or two under my storage conditions. So, these days, the beer portion of my cellar is down to about 30-40 beers, consisting mostly of: (1) New Belgium La Folie; (2) Cantillon Lambics (3 – 5 years); (3) Bell’s Expedition Stout (fresh, or 3-5 years); (4) Unibroue Maudite and Trois Pistoles (2.5-4 years) and (5) an oddball assortment of things with which I’m still experimenting.
I opened one of those experiments last night, Jolly Pumpkin‘s Oro de Calabaza, and received a real treat. Jolly Pumpkin is a pretty unique brewery – it ferments in open vessels, ages completely in old oak barrels, and then bottle conditions its beers. While some breweries might do one or even all of these processes for some (usually a small, experimental portion) of their production, Jolly Pumpkin does it for all of their beer.
Oro de Calabaza is a Belgian-inspired golden ale (think Duvel), that picks up some wild yeasts during Jolly Pumpkin’s brewing process. Wild yeasts tend to eat different (and more!) sugars than “cultured” yeasts, and tend to work somewhat more slowly. This bottle of Oro de Calabaza has been in my cellar for about a year, and upon opening it had a nose led by the tell-tale horseblanket aroma of brettanomyces, one of the more beer-friendly wild yeasts (it gets into wine sometimes too, where it quickly crosses the “interesting backdrop” to outright fault pretty quickly for most – it works well for my nose and palate in beer though). Underneath were a rich malt base, and some light candied-fruit notes. On the palate, the wild yeasts once again left evidence of their work in a thinner body and extremely dry finish (body and residual sweetness come to a significant degree from complex sugars that “cultured” yeast can’t eat, but wild ones can). This made the beer even more food-friendly, and it was a terrific companion to my super-nachos made with pork from Hinkebein Farms (via Fair Shares ) that I braised in a broth made from my own homemade chili powder. Oro de Calabaza has definitely moved from “cellaring experiment” onto my short list of beers that, for my palate, improve with some time in the cellar.

Sounds fantastic. I love that beer fresh, I’ll have to try cellaring it.
Nice write up Dave. I agree with you on preferring beers fresh. Most of my cellaring has resulted in no or very little improvement in the over all beer. Currently, I have 1 La Folie, a 3 liter of Samichlaus and last years Bigfoot aging. I’m not inclined to add to this much.
C
I thought the ’06 Schlafly Reserve Imperial Stout was fantastic after a year and I have 3 more bottles that I plan on putting another couple of years on along with a couple of bottles of ’07 and ’08. The actual plan is to get to a 5 year vertical down the road. Mitch over at Schlafly says he thinks 3 years is actually enough, but it was Stephen Hale who actually gave me the idea for the 5 year. So in the end I’m going with the head brewer’s opinion.
I also recently lucked into some ’08 The Abyss that I am gonna put away at least two bottles of. One for next year and one for 2 years.
All in all I am mostly into cellaring my RIS brews, though Dylan has me convinced that I should hold off at least a year on my O’Dell Woodcut.
The one I keep telling myself to cellar is Chimay Blue. I have heard great things about what a year or two will do to this classic, but none have survived longer than a few days at my house!
Nothing wrong with experimentation at all, and RIS is certainly a classic “cellar” style. I’ve just struck out for my palate apart from Expedition (which I also love fresh).
Do keep trying them at regular intervals though, as difficult as that may be.
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